My critique: I think Susan Sontag hates photography. Caring and joy go together. (Sontag 1977:64) The ability to visualize and produce a good photograph is a gift perfected through years of patient toil and practice. But the distinction between photography and reality – as between spin and policy – can easily evaporate. It would have been much more helpful had Ms. Sontag given the references to all of them since their context would obviously help in the interpretation and understanding of some of them. It delves into the idea of ‘transparency’, where photographers have eliminated the boundaries of art and are faced with the prospect of being free to capture. It begins with daisies, kids, awful scenes, falling in love, or growing old. 2016. This essay argues that Susan Sontag's 1968 trip to Hanoi paved the way for her groundbreaking reflections on photography. It is a set of essays on the "philosophy" of picture-taking and the meaning of photography in the modern (ca. More broadly, it describes political travel as an experimental practice that helped Sontag to develop her ideas about aesthetics, ethics, and activism. The forming image is sharp, trenchant - a good picture; but it isn't exactly the photo you had in your head. This very passivity -- and ubiquity -- of the photographic record is photography's "message," its aggression. So, as one who practices photography rather than one who reads or writes about it, I ventured into Susan Sontag's essays cautiously - ready to ask questions and to challenge her statements. The debate about whether photography is an art or a tool weaves its way in and out of the various essays. If photographers learn to see well and to use their tools effectively, photographs will be unique, personal expressions - images which bring joy in the making and in the sharing with others. This series of six essays and a collection of quotations is not a book for the beginner wanting to venture into the world of photography. There are three answers, each of which con­ Rare is the discussion of ethics and photography that does not reference Susan Sontag's groundbreaking collection of essays On Photography (1977). Reviewing Susan Sontag's book is analogous to printing in the darkroom. As a religious photographer, I try to reveal to the subject I photograph an inner dignity of which the subject may not be aware. And I agree that the image is fundamental to the cultural impact of the camera. It’s an excellent analysis of the far-reaching changes photographic images have made in our way of looking at the world and at ourselves. pp. Scott reflects on the outsize influence Sontag has had on his life as a critic. In On Photography, Susan Sontag discusses what she believes photography does to society in the modern day. In her essays, or "case-studies," examining art and the "modern sensibility," Susan Sontag covered topics from photography to illness to fascism. Photography changes are conditions of imprisonment and create a kind of "ethics of vision" and the feeling that we can contain the whole world in our heads. But more than that, it involves the eye and the soul of the photographer using a mechanical tool to record both a physical reality and an inner reality. Initially I found myself reacting strongly against her assertions and conclusions. These statements show that Godwin’s and Salgado’s work fits within an activist arena. Let the subject be what it will - pollution, death, war … photography will tend to make it look aesthetically pleasing. ‘Salgado was born on 8th February 1944 in Amores, in the state of Minas Gerais in Brazil. pp. You do far more than that. $3.95 (paper). Reviewing Susan Sontag's book is analogous to printing in the darkroom. SCOTT OCT. 8, 2019 Anyone interested in the social roles of photography will find this book fascinating and thought-provoking. First published in 1977, it brings together a series of nonfiction pieces originally published in The New York Review of Books between 1973 and 1977. Susan Sontag’s On Photography, “In Plato’s Cave” Summary | Nude Answers 2016. It is a line that Sontag… This book asks whether photography is an art or a science. One of the most widely read cultural critics of her generation, she was a lightning rod for both praise and vilification. Rather, it is an attempt at a sweeping critique of everything photographic. Included as the final chapter of this book is a collection of quotations, statements, reprints of advertisements, lines from novels, manuscripts and thesauruses all having to do with photography. (Sontag, 2004) In customary erudite form Sontag analyses the implications of the photographs of torture of Iraqi prisoners taken by American soldiers in Abu Ghraib prison. The forming image is sharp, trenchant - a good picture; but it isn't exactly the photo you had in your head. Susan Sontag. A brief overview of the photographers careers is given as an introduction to the analysis. It originally appeared as a series of essays in the New York Review of Books between 1973 and 1977. Colorful saris and strong, handsome faces do not bear the truth of the pain I tried to record. Photojournalists play a key role in the media their role is to photograph the events that take place in front of them but is it always appropriate to keep taking, world must be preserved and, where possible expanded.” (Salgado, 2012, p.5) By A.O. To me, photography is a way to explore the world and myself. All Work. It’s an excellent analysis of the far-reaching changes photographic images have made in our way of looking at the world and at ourselves. Photography is the world's number one hobby. Two working photographers respond to Susan Sontag, By Christian Molidor, RSM and Mike Harter, SJ. Sontag's essays - meditations, really - are variations on the theme of photographic images and their ambiguous but potent force in the modern consciousness. As everything she wrote, Susan Sontag's book on photography is brilliant. As everything she wrote, Susan Sontag's book on photography is brilliant. "To photograph people," Sontag said, "is to violate them...It turns people into objects that can be symbolically possessed." ‘Photography’ Susan Sontag Reading Reflection Throughout the history of photography, reality has been related more through pictures/images. On Photography. There are three answers, each of which con­ But the distinction between photography and reality – as between spin and policy – can easily evaporate. Susan Sontag quotes Feuerbach in saying that our age prefers the photograph to the real thing, the appearance before experience. (Sontag, 2004) In customary erudite form Sontag analyses the implications of the photographs of torture of Iraqi prisoners taken by American soldiers in Abu Ghraib prison. December 9, 2002 Issue. Susan Sontag’s “On Photography” is one of the worst texts you can ever assign to an aspiring photographer, photography student, photography beginner, or lover of photography. To see an archive of past issues of Great Reads in Photography, click here. The critic A.O. In my more flippant moments, I have been heard to say that the only difference I see between the good secular and the good religious photographer is in the amount they are paid for their work. In addressing herself to such an array of topics in the field, Ms. Sontag speaks out of a wide cultural, literary, historical and philosophical background and expects the reader to have familiarity if not knowledge in all of these areas. It is not sight the camera satisfies so thoroughly, but the mind. Susan Sontag. In-text: (Susan Sontag’s On Photography, “In Plato’s Cave” Summary | Nude Answers, 2016) Your Bibliography: Nudeanswers.com. He is currently directing and photographing "70 x 7," a slide program on reconciling the ex-offender into the Christian community. Susan Sontag (; January 16, 1933 – December 28, 2004) was an American writer and filmmaker, teacher and political activist, publishing her first major work, the essay "Notes on 'Camp'", in 1964.Her best known works include On Photography, Against Interpretation, Styles of Radical Will, The Way We Live Now, Illness as Metaphor, Regarding the Pain of Others, The Volcano Lover and In America. Susan Sontag was born in New York City on January 16, 1933. On Photography is an essential text for anyone working on the still image, and also provides a brilliant, illuminating experience for academic and non-academic readers alike. Sontag's prose is beautiful and her arguments, although subjective and opinionated, address questions that remain relevant. SCOTT OCT. 8, 2019 While showing the entirety of the photographer’s series might be argued to have more, Susan Sontag said photographs sends across the harmlessness and helplessness of the human life steering into their own ruin. 2016. To take a photograph, Sontag writes, "is to appropriate the thing photographed." Susan Sontag (/ ˈ s ɒ n t æ ɡ /; January 16, 1933 – December 28, 2004) was an American writer, filmmaker, philosopher, teacher, and political activist. Photography shapes our understanding of war—for better and for worse. In an attempt to further explore the values of photography today, Media&Values asked two professional photographers to read the book and share their responses. I'm not certain anybody has ever created anything with a camera. Susan Sontag’s On Photography is one of the best studies of photography that you can find. “Every page of On Photography raises important and exciting questions about its subject and raises them in the best way.” —The New York Times Book Review “On Photography is to my mind the most original and illuminating study of the subject.”—Calvin Trillin, The New Yorker . Her early years were spent with her grandparents in New York while her parents ran a fur export business in China. Mike Harter is Director of Media Services for Ministry Training Services in Denver. To celebrate, we’re republishing a rare interview with her from the March, 1978 edition of High Times… It begins with that which matters to you. I'm glad I read it, and would suggest it to someone else who enjoys discussing photographers and their styles and purposes. Susan Sontag’s fame was always paradoxical. This concept of getting-in-order-to-use-up is important in understanding photography's function. To deepen the interpretation and analysis of this photograph, I will be using work done by John B. Thompson and will be using his theories of the five symbolic forms (Intention, Convention, Structure, Reference and Context.) How Susan Sontag Taught Me to Think. Her book is precise and complete in tone and color, with shades of intelligence so numerous they create a picture. Sontag discusses in the six essays not only the philosophical question of how reality may be perceived and knowledge gained, but she also reviews photography in its context: as a tool, an industry, an activity that "imposes a way of seeing" and therefore, actually alters reality. Susan Sontag’s On Photography, first published in 1977, has a lot to do with this. One of the most widely read cultural critics of her generation, she was a lightning rod for both praise and vilification. Susan Sontag (1933 – 2004) would have been 87 on January 16. New York: Dell Pub­ lishing Company, 1977. Susan Sontag’s On Photography, first published in 1977, has a lot to do with this. Subscribe to Monthly Newsletter with Activities, Learn the Core Concepts of Media Literacy, Voices of Media Literacy: 20+ Pioneers Speak. CHAPTER 1 CRITIQUE (Plato’s Cave) I’m always suspicious of thinkers who always invoke the Plato Cave analogy (I’m with Nietzsche in […] The author claims everything is camera grist and in the end, no matter what the photographer may want, everything becomes equal in value so long as it makes an interesting picture. Humankind lingers unregenerately in Plato's Cave, still reveling, its age-old habit, in mere images of the truth. Abstract. Susan Sontag (1933 – 2004) would have been 87 on January 16. — Susan Sontag, author of On Photography, first published in 1977. CHAPTER 1 CRITIQUE (Plato’s Cave) I’m always suspicious of thinkers who always invoke the Plato Cave analogy (I’m with Nietzsche in […] In addition to her work on the subject, Sontag became famous for her anti … Essentially disjunct, mute, the photo cannot tell the truth that comes only from words and narration. Susan Sontag’s book “On Photography” is a classic. Photojournalism relies on the “truth claim” of photography, that if a subject was photographed it existed in that way. Susan Sontag was born in New York City on January 16, 1933, grew up in Tucson, Arizona, and attended high school in Los Angeles. 1970) world. Susan Sontag: On Photography: In Plato's cave – summary Humanity, argues Susan Sontag in "In Plato's Cave" in her collection of essays "On Photography", is still in Plato's cave. along with some of John.B Thompson’s other theories, with some reference to Susan Sontag’s work on photography. Her treatment of individual photographers, including references to specific photographs, also requires a detailed familiarity with these photographers and their works. Photography changes are conditions of imprisonment and create a kind of "ethics of vision" and the feeling that we can contain the whole world in our heads. In order to get a full understanding of the “Miss Lesbian” photograph, I will be taking a look at, This essay will discuss the links between photography and censorship and how the photographer and the media uses this to distribute images of a atrocity to the masses, when is it appropriate to censor images and when is it not? The Theatrical Image: On Photography by Susan Sontag. We discover only when we make ourselves ready to receive and photographers seek discovery by mastering their craft. Although one will not agree with all of her conclusions or premises (primarily because she does not spend enough time establishing most of them) her statements are engaging, thought provoking and evoke comment or criticism from the reader. Susan Sontag’s “On Photography” is one of the worst texts you can ever assign to an aspiring photographer, photography student, photography beginner, or lover of photography. Having take hundreds of photographs in Southeast Asia, crying with camera on the evils of hunger and poverty, I agree. Born in 1933, Sontag wrote plays, essays, and fiction until her death in 2004. Susan Sontag bullied her lover, snapper to the stars Annie Leibovitz, mercilessly, telling her, "You're so dumb, you're so dumb," a searingly honest book about Sontag's life reveals. Photography, more than any other art form, is subject to intense moral scrutiny. Susan Sontag’s book “On Photography” is a classic.

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